Collier Schorr, Movement is the Best Medicine, 1996
Moyra Davey: Speaker Receiver, Sternberg Press, 2010
Guy Sherwin, Short Film Series: Cat, UK, 1975 – 1998
Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa
Helen Chadwick, Meat Abstract, 1989
Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa
Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa
José Leonilson, Nobody, 1992
Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa
Helen Chadwick, Cacao, 1994
Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa
Collier Schorr (?)
José Leonilson, The Penelope, 1993, copyright The estate of Leonilson
Mary Miss, Barbed Wire, 1969
José Leonilson, I Am Your Man, 1992, copyright José Leonilson
Maya’s copy of Christos Tzivelos: Modelling Phenomena (ed. Christopher Marinos and Bia Papadopoulou), Benaki Museum, Big black mountain the darkness never comes, Athens, 2017, ISBN13 9789604762194
Collier Schorr, Matti Back (There I was…) Ellwangen, 2001, courtesy 303 Gallery, New York
Collier Schorr, Herbert Weekend Leave (A Conscript Rated T1) Kirschbaum, 2001, Courtesy 303 Gallery, New York
Christos Tzivelos, Metallica, Art Symposium Minos Beach, Crete, Greece, 1988
Backstage at Oumou Sy, Dakar Fashion week, 2001
Production still from the Art in the Twenty-First Century Season 2 episode, Loss & Desire, courtesy Art21, Inc. 2003
Collier Schorr, Lovely to Feel and to Touch, 1994
From the archive of Christos Tzivelos, copyright Giannis Tzivelos
Helen Chadwick, Meat Abstract no.2: Tongues, 1989
From the archive of Christos Tzivelos, Installation view (title unknown)
Helen Chadwick, Cacao, 1994
Parole! Parole? Parole! Issa Samb et La Forme Indéchiffrable, 4 October – 30 October 13, Raw Material Company, Dakar, Senegal
Rosalind Nashashibi, Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine, 2018, courtesy of Rosalind Nashashibi and Lux, London
Helen Chadwick, oval Court, 1988
Newspaper clipping, archive of Christos Tzivelos
Oumou Sy
Newspaper clipping, archive of Christos Tzivelos
Issa Samb, portrait
José Leonilson, portrait
Oumou Sy
Issa Samb, From the Ethics of Acting to the Empire Without Signs, Installation view at Iniva, Irvington Place, 2014, photo Thierry Bal
Detail from Issa Samb’s home studio ‘La Cour’ (the Yard) in Dakar, Senegal
Visit to the archive of Christos Tzivelos
José Leonilson, portrait
Oumou Sy
Issa Samb, From the Ethics of Acting to the Empire Without Signs, Installation view at Iniva, Irvington Place, 2014, photo Thierry Bal
Chrohreh Feyzdjou, Portrait
Kerry James Marshall, Study for Blue Water, Silver Moon, 1991
Chohreh Feyzdjou, Untitled, 1975-1989
Valinia Svoronou, Ore, 2016
David Wojnarowicz, Photography & Film 1978–1992, 9 February – 5 May 19, KW, Berlin
Christos Tzivelos, One Man Show, Art Athina 2 ’94, Athens, presented by Galerie Renos Xippas, 1994
Ties, Tales and Traces, Dedicated to Frank Wagner, Independent Curator (1958–2016), 9 February – 5 May 19, KW, Berlin
Elena Narbutaitė
Oumou Sy
Mary Miss, Awning, 1966
José Leonilson, Untitled, 1979
José Leonilson, I Am Your Man, 1992, courtesy José Leonilson
Mary Miss
José Leonilson, The Japanese Woman, 1988, courtesy José Leonilson
David Wojnarowicz, Photography & Film 1978–1992, 9 February – 5 May 19, KW, Berlin
David Wojnarowicz, Photography & Film 1978–1992, 9 February – 5 May 19, KW, Berlin
Issa Samb, Untitled Dakar, No Day (Dakar, pas de jour), courtesy Raw Material Company
Rosalind Nashashibi, Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine, 2018, courtesy of Rosalind Nashashibi and Lux, London
José Leonilson, As Ruas Da Cidade, 1988
José Leonilson, Desire is a Blue Lake, 1989, courtesy José Leonilson
José Leonilson, To Make Your Soul Close to Me, 1989, courtesy José Leonilson
José Leonilson, Traitor, 1991
José Leonilson, Sunset, Earthquake, Loneliness, 1990, courtesy José Leonilson
Laboratoire Agit’Art
Mary Miss, Knots in a Room, 1969
José Leonilson, Mirro, 1975
Oumou Sy
Exhibition view, Colori. Emotions of Color in Art, 14 March – 23 July 2017, Castello di Rivoli, Italy,
courtesy Andrea Guermani
Rosalind Nashashibi, Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine, 2018, courtesy of Rosalind Nashashibi and Lux, London
Oumou Sy
Mary Miss, Untitled, 1972
José Leonilson, 34 with Scars, 1991, courtesy José Leonilson
Moyra Davey, Untitled (Speaker), 2003
Oumou Sy
Moyra Davey, Untitled (Receiver), 2003
