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Chohreh Feyzdjou, Untitled, 1976, wax and ink on paper, 31.3 x 24.6 cm, Centre national des arts plastiques, © droits réservés, © Cnap, © photo: Yves Chenot

José Leonilson, The Penelope, 1993, copyright The estate of Leonilson

Yorgos Tourkovasilis from an upcoming exhibition at Akwa Ibom, Athens

Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020

Chohreh Feyzdjou, Série DA, 1993, set of 40 paintings and drawings on cardboard and paper wrapped in plastic, cardboard, paper, plastic, adhesive tape, pigments, walnut stain, string, oil paint, charcoal, ink, graphite, height: from 53 to 145 cm, diameter: from 11 to 20 cm, Centre national des arts plastiques, Dépôt au CAPC musée d’art contemporain de Bordeaux depuis 2003, © droits réservés, © Cnap, © photo: Frédéric Delpech

Chohreh Feyzdjou, Portrait, gouache on paper, 32 x 23.8 cm, Centre national des arts plastiques, Dépôt au CAPC musée d’art contemporain de Bordeaux depuis 2003, © droits réservés, © Cnap, © photo: Yves Chenot

Chohreh Feyzdjou, Personnages et quadrupèdes, wax and black felt on paper, 31.1 x 23.5 cm, Centre national des arts plastiques, Dépôt au CAPC musée d’art contemporain de Bordeaux depuis 2003, © droits réservés, © Cnap, © photo: Yves Chenot

Alena Cucerova

Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020

Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020

Yorgos Tourkovasilis from an upcoming exhibition at Akwa Ibom, Athens

Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020

Alena Cucerova

Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020

Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020

Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020

Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020

Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020

Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, Franco Noero, Turin, 2020, exhibition in an edition of six together with Akwa Ibom, Athens; installation by artist Giorgio Griffa

Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, Franco Noero, Turin, 2020, exhibition in an edition of six together with Akwa Ibom, Athens; installation by artist Giorgio Griffa

Collier Schorr, Movement is the Best Medicine, 1996

Helen Chadwick, Meat Abstract, 1989

Moyra Davey: Speaker Receiver, Sternberg Press, 2010

José Leonilson, I Am Your Man, 1992, copyright José Leonilson

From the archive of Christos Tzivelos, copyright Giannis Tzivelos

Visit to the archive of Christos Tzivelos

Maya’s copy of Christos Tzivelos: Modelling Phenomena (ed. Christopher Marinos and Bia Papadopoulou), Benaki Museum, Big black mountain the darkness never comes, Athens, 2017, ISBN13 9789604762194

José Leonilson, portrait

Oumou Sy

Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa

Helen Chadwick, Meat Abstract no.2: Tongues, 1989

Collier Schorr, Matti Back (There I was…) Ellwangen, 2001, courtesy 303 Gallery, New York

Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa

Oumou Sy

José Leonilson, Nobody, 1992

Oumou Sy

Issa Samb, From the Ethics of Acting to the Empire Without Signs, Installation view at Iniva, Irvington Place, 2014, photo Thierry Bal

Issa Samb, From the Ethics of Acting to the Empire Without Signs, Installation view at Iniva, Irvington Place, 2014, photo Thierry Bal

From the archive of Christos Tzivelos, Installation view (title unknown)

Collier Schorr, Herbert Weekend Leave (A Conscript Rated T1) Kirschbaum, 2001, Courtesy 303 Gallery, New York

Chrohreh Feyzdjou, Portrait

Guy Sherwin, Short Film Series: Cat, UK, 1975 – 1998

Kerry James Marshall, Study for Blue Water, Silver Moon, 1991

Helen Chadwick, Cacao, 1994

Christos Tzivelos, Metallica, Art Symposium Minos Beach, Crete, Greece, 1988

Chohreh Feyzdjou, Untitled, 1975-1989

Newspaper clipping, archive of Christos Tzivelos

Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa

Backstage at Oumou Sy, Dakar Fashion week, 2001

Detail from Issa Samb’s home studio ‘La Cour’ (the Yard) in Dakar, Senegal

Valinia Svoronou, Ore, 2016

David Wojnarowicz, Photography & Film 1978–1992, 9 February – 5 May 19, KW, Berlin

Helen Chadwick, Cacao, 1994

Production still from the Art in the Twenty-First Century Season 2 episode, Loss & Desire, courtesy Art21, Inc. 2003

Christos Tzivelos, One Man Show, Art Athina 2 ’94, Athens, presented by Galerie Renos Xippas, 1994

Ties, Tales and Traces, Dedicated to Frank Wagner, Independent Curator (1958–2016), 9 February – 5 May 19, KW, Berlin

Issa Samb, portrait

Parole! Parole? Parole! Issa Samb et La Forme Indéchiffrable, 4 October – 30 October 13, Raw Material Company, Dakar, Senegal

Elena Narbutaitė

Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa

Oumou Sy

Mary Miss, Awning, 1966

José Leonilson, Untitled, 1979

Collier Schorr (?)

Mary Miss, Barbed Wire, 1969

José Leonilson, I Am Your Man, 1992, courtesy José Leonilson

Helen Chadwick, oval Court, 1988

Mary Miss

José Leonilson, portrait

José Leonilson, The Japanese Woman, 1988, courtesy José Leonilson

David Wojnarowicz, Photography & Film 1978–1992, 9 February – 5 May 19, KW, Berlin

Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa

David Wojnarowicz, Photography & Film 1978–1992, 9 February – 5 May 19, KW, Berlin

Newspaper clipping, archive of Christos Tzivelos

Issa Samb, Untitled Dakar, No Day (Dakar, pas de jour), courtesy Raw Material Company

Collier Schorr, Lovely to Feel and to Touch, 1994

Rosalind Nashashibi, Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine, 2018, courtesy of Rosalind Nashashibi and Lux, London

José Leonilson, As Ruas Da Cidade, 1988

José Leonilson, Desire is a Blue Lake, 1989, courtesy José Leonilson

José Leonilson, To Make Your Soul Close to Me, 1989, courtesy José Leonilson

José Leonilson, Traitor, 1991

José Leonilson, Sunset, Earthquake, Loneliness, 1990, courtesy José Leonilson

Laboratoire Agit’Art

Mary Miss, Knots in a Room, 1969

José Leonilson, Mirro, 1975

Oumou Sy

Exhibition view, Colori. Emotions of Color in Art, 14 March – 23 July 2017, Castello di Rivoli, Italy,
courtesy Andrea Guermani

Rosalind Nashashibi, Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine, 2018, courtesy of Rosalind Nashashibi and Lux, London

Oumou Sy

Mary Miss, Untitled, 1972

José Leonilson, 34 with Scars, 1991, courtesy José Leonilson

Moyra Davey, Untitled (Speaker), 2003

Oumou Sy

Moyra Davey, Untitled (Receiver), 2003