Chohreh Feyzdjou, Untitled, 1976, wax and ink on paper, 31.3 x 24.6 cm, Centre national des arts plastiques, © droits réservés, © Cnap, © photo: Yves Chenot
José Leonilson, The Penelope, 1993, copyright The estate of Leonilson
Yorgos Tourkovasilis from an upcoming exhibition at Akwa Ibom, Athens
Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020
Chohreh Feyzdjou, Série DA, 1993, set of 40 paintings and drawings on cardboard and paper wrapped in plastic, cardboard, paper, plastic, adhesive tape, pigments, walnut stain, string, oil paint, charcoal, ink, graphite, height: from 53 to 145 cm, diameter: from 11 to 20 cm, Centre national des arts plastiques, Dépôt au CAPC musée d’art contemporain de Bordeaux depuis 2003, © droits réservés, © Cnap, © photo: Frédéric Delpech
Chohreh Feyzdjou, Portrait, gouache on paper, 32 x 23.8 cm, Centre national des arts plastiques, Dépôt au CAPC musée d’art contemporain de Bordeaux depuis 2003, © droits réservés, © Cnap, © photo: Yves Chenot
Chohreh Feyzdjou, Personnages et quadrupèdes, wax and black felt on paper, 31.1 x 23.5 cm, Centre national des arts plastiques, Dépôt au CAPC musée d’art contemporain de Bordeaux depuis 2003, © droits réservés, © Cnap, © photo: Yves Chenot
Alena Cucerova
Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020
Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020
Yorgos Tourkovasilis from an upcoming exhibition at Akwa Ibom, Athens
Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020
Alena Cucerova
Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020
Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020
Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020
Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020
Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, exhibition in an edition of six, Akwa Ibom, Athens, 2020
Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, Franco Noero, Turin, 2020, exhibition in an edition of six together with Akwa Ibom, Athens; installation by artist Giorgio Griffa
Jason Dodge, “They lifted me into the sun again and filled my empty skull with cinnamon”, Franco Noero, Turin, 2020, exhibition in an edition of six together with Akwa Ibom, Athens; installation by artist Giorgio Griffa
Collier Schorr, Movement is the Best Medicine, 1996
Helen Chadwick, Meat Abstract, 1989
Moyra Davey: Speaker Receiver, Sternberg Press, 2010
José Leonilson, I Am Your Man, 1992, copyright José Leonilson
From the archive of Christos Tzivelos, copyright Giannis Tzivelos
Visit to the archive of Christos Tzivelos
Maya’s copy of Christos Tzivelos: Modelling Phenomena (ed. Christopher Marinos and Bia Papadopoulou), Benaki Museum, Big black mountain the darkness never comes, Athens, 2017, ISBN13 9789604762194
José Leonilson, portrait
Oumou Sy
Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa
Helen Chadwick, Meat Abstract no.2: Tongues, 1989
Collier Schorr, Matti Back (There I was…) Ellwangen, 2001, courtesy 303 Gallery, New York
Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa
Oumou Sy
José Leonilson, Nobody, 1992
Oumou Sy
Issa Samb, From the Ethics of Acting to the Empire Without Signs, Installation view at Iniva, Irvington Place, 2014, photo Thierry Bal
Issa Samb, From the Ethics of Acting to the Empire Without Signs, Installation view at Iniva, Irvington Place, 2014, photo Thierry Bal
From the archive of Christos Tzivelos, Installation view (title unknown)
Collier Schorr, Herbert Weekend Leave (A Conscript Rated T1) Kirschbaum, 2001, Courtesy 303 Gallery, New York
Chrohreh Feyzdjou, Portrait
Guy Sherwin, Short Film Series: Cat, UK, 1975 – 1998
Kerry James Marshall, Study for Blue Water, Silver Moon, 1991
Helen Chadwick, Cacao, 1994
Christos Tzivelos, Metallica, Art Symposium Minos Beach, Crete, Greece, 1988
Chohreh Feyzdjou, Untitled, 1975-1989
Newspaper clipping, archive of Christos Tzivelos
Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa
Backstage at Oumou Sy, Dakar Fashion week, 2001
Detail from Issa Samb’s home studio ‘La Cour’ (the Yard) in Dakar, Senegal
Valinia Svoronou, Ore, 2016
David Wojnarowicz, Photography & Film 1978–1992, 9 February – 5 May 19, KW, Berlin
Helen Chadwick, Cacao, 1994
Production still from the Art in the Twenty-First Century Season 2 episode, Loss & Desire, courtesy Art21, Inc. 2003
Christos Tzivelos, One Man Show, Art Athina 2 ’94, Athens, presented by Galerie Renos Xippas, 1994
Ties, Tales and Traces, Dedicated to Frank Wagner, Independent Curator (1958–2016), 9 February – 5 May 19, KW, Berlin
Issa Samb, portrait
Parole! Parole? Parole! Issa Samb et La Forme Indéchiffrable, 4 October – 30 October 13, Raw Material Company, Dakar, Senegal
Elena Narbutaitė
Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa
Oumou Sy
Mary Miss, Awning, 1966
José Leonilson, Untitled, 1979
Collier Schorr (?)
Mary Miss, Barbed Wire, 1969
José Leonilson, I Am Your Man, 1992, courtesy José Leonilson
Helen Chadwick, oval Court, 1988
Mary Miss
José Leonilson, portrait
José Leonilson, The Japanese Woman, 1988, courtesy José Leonilson
David Wojnarowicz, Photography & Film 1978–1992, 9 February – 5 May 19, KW, Berlin
Visiting Thanasis Totsikas’ home and studio in Nikaia, Larissa
David Wojnarowicz, Photography & Film 1978–1992, 9 February – 5 May 19, KW, Berlin
Newspaper clipping, archive of Christos Tzivelos
Issa Samb, Untitled Dakar, No Day (Dakar, pas de jour), courtesy Raw Material Company
Collier Schorr, Lovely to Feel and to Touch, 1994
Rosalind Nashashibi, Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine, 2018, courtesy of Rosalind Nashashibi and Lux, London
José Leonilson, As Ruas Da Cidade, 1988
José Leonilson, Desire is a Blue Lake, 1989, courtesy José Leonilson
José Leonilson, To Make Your Soul Close to Me, 1989, courtesy José Leonilson
José Leonilson, Traitor, 1991
José Leonilson, Sunset, Earthquake, Loneliness, 1990, courtesy José Leonilson
Laboratoire Agit’Art
Mary Miss, Knots in a Room, 1969
José Leonilson, Mirro, 1975
Oumou Sy
Exhibition view, Colori. Emotions of Color in Art, 14 March – 23 July 2017, Castello di Rivoli, Italy,
courtesy Andrea Guermani
Rosalind Nashashibi, Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine, 2018, courtesy of Rosalind Nashashibi and Lux, London
Oumou Sy
Mary Miss, Untitled, 1972
José Leonilson, 34 with Scars, 1991, courtesy José Leonilson
Moyra Davey, Untitled (Speaker), 2003
Oumou Sy
Moyra Davey, Untitled (Receiver), 2003
