AKWA IBOM

José Leonilson, The Penelope, 1993, copyright The estate of Leonilson

Maya’s copy of Christos Tzivelos: Modelling Phenomena (ed. Christopher Marinos and Bia Papadopoulou), Benaki Museum, Big black mountain the darkness never comes, Athens, 2017, ISBN13 9789604762194

Christos Tzivelos, Metallica, Art Symposium Minos Beach, Crete, Greece, 1988

Backstage at Oumou Sy, Dakar Fashion week, 2001

From the archive of Christos Tzivelos, copyright Giannis Tzivelos

From the archive of Christos Tzivelos, Installation view (title unknown)

Rosalind Nashashibi, Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine, 2018, courtesy of Rosalind Nashashibi and Lux, London

Newspaper clipping, archive of Christos Tzivelos

Issa Samb, From the Ethics of Acting to the Empire Without Signs, Installation view at Iniva, Irvington Place, 2014, photo Thierry Bal

Visit to the archive of Christos Tzivelos

Chrohreh Feyzdjou, Portrait

Chohreh Feyzdjou, Untitled, 1975-1989

Christos Tzivelos, One Man Show, Art Athina 2 ’94, Athens, presented by Galerie Renos Xippas, 1994

Elena Narbutaitė

Mary Miss, Awning, 1966

Mary Miss

Rosalind Nashashibi, Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine, 2018, courtesy of Rosalind Nashashibi and Lux, London

José Leonilson, Traitor, 1991

Mary Miss, Knots in a Room, 1969

Exhibition view, Colori. Emotions of Color in Art, 14 March – 23 July 2017, Castello di Rivoli, Italy,
courtesy Andrea Guermani

Mary Miss, Untitled, 1972

Moyra Davey, Untitled (Speaker), 2003

Moyra Davey, Untitled (Receiver), 2003

Helen Chadwick, Meat Abstract, 1989

Collier Schorr, Movement is the Best Medicine, 1996

Moyra Davey: Speaker Receiver, Sternberg Press, 2010

José Leonilson, Nobody, 1992

Helen Chadwick, Cacao, 1994

Collier Schorr (?)

Mary Miss, Barbed Wire, 1969

José Leonilson, I Am Your Man, 1992, copyright José Leonilson

Collier Schorr, Matti Back (There I was…) Ellwangen, 2001, courtesy 303 Gallery, New York

Collier Schorr, Herbert Weekend Leave (A Conscript Rated T1) Kirschbaum, 2001, Courtesy 303 Gallery, New York

Production still from the Art in the Twenty-First Century Season 2 episode, Loss & Desire, courtesy Art21, Inc. 2003

Collier Schorr, Lovely to Feel and to Touch, 1994

Helen Chadwick, Meat Abstract no.2: Tongues, 1989

Helen Chadwick, Cacao, 1994

Parole! Parole? Parole! Issa Samb et La Forme Indéchiffrable, 4 October – 30 October 13, Raw Material Company, Dakar, Senegal

Helen Chadwick, oval Court, 1988

Issa Samb, portrait

Detail from Issa Samb’s home studio ‘La Cour’ (the Yard) in Dakar, Senegal

Issa Samb, From the Ethics of Acting to the Empire Without Signs, Installation view at Iniva, Irvington Place, 2014, photo Thierry Bal

Valinia Svoronou, Ore, 2016

Oumou Sy

José Leonilson, I Am Your Man, 1992, courtesy José Leonilson

David Wojnarowicz, Photography & Film 1978–1992, 9 February – 5 May 19, KW, Berlin

Issa Samb, Untitled Dakar, No Day (Dakar, pas de jour), courtesy Raw Material Company

José Leonilson, Desire is a Blue Lake, 1989, courtesy José Leonilson

Laboratoire Agit’Art

Oumou Sy

José Leonilson, 34 with Scars, 1991, courtesy José Leonilson

Oumou Sy

David Wojnarowicz, Photography & Film 1978–1992, 9 February – 5 May 19, KW, Berlin

José Leonilson, As Ruas Da Cidade, 1988

David Wojnarowicz by Peter Hujar

David Wojnarowicz, A Fire in My Belly (Film Still), 1986-1987

David Wojnarowicz, Untitled, 1988

David Wojnarowicz, Heroin

Kerry James Marshall, Study for Blue Water, Silver Moon, 1991

David Wojnarowicz, Alexander F. Milliken Gallery, December 1982

José Leonilson, portrait

David Wojnarowicz, Untitled, 1988

José Leonilson, portrait

David Wojnarowicz, Untitled, 1988

Ties, Tales and Traces, Dedicated to Frank Wagner, Independent Curator (1958–2016), 9 February – 5 May 19, KW, Berlin

José Leonilson, Untitled, 1979

David Wojnarowicz, Untitled, 1988

José Leonilson, The Japanese Woman, 1988, courtesy José Leonilson

José Leonilson, To Make Your Soul Close to Me, 1989, courtesy José Leonilson

José Leonilson, Sunset, Earthquake, Loneliness, 1990, courtesy José Leonilson

José Leonilson, Mirro, 1975

Rosalind Nashashibi, Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine, 2018, courtesy of Rosalind Nashashibi and Lux, London